Artistic Research

Biggs, Michael and Henrik Karlsson. 2010. The Routledge Companion to Research in the Arts, London andNew York: Routledge.

Borgdorff, Henk. 2012. The Conflict of the Faculties. Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.

Coessens, Kathleen, Darla Crispin and Douglas, Anne. 2009. The Artistic Turn. A Manifesto. Ghent: Leuven University Press.

Frayling, Christopher. 1993. Research in art and design: Royal College of Art Research Papers series vol. 1 no. 1. London: Royal College of Art.

Mersch, Dieter. 2009. ‘Kunst als epistemische Praxis.’ In Kunst des Forschens: Praxis eines aesthetischen Denkens. Edited by Elke Bippus, Zurich: Diaphanes, 22-47.

Nyrnes, Aslaug. 2006. ‘Lighting from the side’, Sensous Knowledge, Bergen: National Academy of the Arts.

Schon, Donald A. 1984. The Reflective Practitioner: How Professionals Think In Action. 1st ed. New York: Basic Books.

Schwab, Michael. 2012. ‘Between a Rock and a Hard Place’. In Intellectual Birdhouse: Artistic Practice as Research. Edited by Florian Dombois, Ute Meta Bauer, Claudia Mareis and Michael Schwab. London: Koenig Books.


Musical Interpretation

Abbate, Carolyn, 2004. ‘Music. Drastic or Gnostic?’, Critical Inquiry 30, Chicago: University of Chicago Press.

But, John, 2002. Playing with History, Cambridge: Cambridge University Press.

Cook, Nicholas, 1998. Analysing Musical Multimedia, Oxford: OxfordUniversity Press.

Cook, Nicholas. 2001. ‘Between Process and Product: Music and/as Performance’, Music Theory Online 7 (April). Available at: [accessed 5 February 2015]

Cook, Nicholas, Daniel Leech-Wilkinson and Eric Clarke. 2009. The Cambridge Companion to Recorded Music, Cambridge: Cambridge University Press.

Danuser, Hermann. 1994-2007. ‘Interpretation.’ In Musik in der Geschichte und Gegenwart. Vol. 3. Kassel and Basel: Bärenreiter and Stuttgart: Mezler, 1053-1069.

Davies, Stephen and Stanley Sadie. 2001. ‘Interpretation’, The New Grove Dictionary of Music and Musicians. 2nd Edition. Vol. 3. Edited. by Stanley Sadie, London: Macmillan, 497-499.

Donington, Robert. 1980. ‘Interpretation’, in The New Grove Dictionary of Music and Musicians. Vol. 9. Edited by Stanley Sadie, London: Macmillan, 276.

Dreyfus, Laurence. 1983. ‘Early Music defended against its Devotees. A Theory of Performance in the Twentieth Century’, Musical Quarterly 69, 297-322.

Goehr, Lydia. (1992) 2007. The Imaginary Museum of Musical Works. An Essay in the Philosophy of Music, Oxford/New York: Oxford University Press.

Goehr, Lydia. 2008. Elective Affinities. Musical Essays on the History of Aesthetic Theory, New York: Columbia University Press.

Gülke, Peter. 2006. Auftakte – Nachspiele. Studien zur musikalischen Interpretation, Stuttgart-Weimar.

Hirsch, Jr., Eric Donald. 1976. The aims of Interpretation, Chicago: University of Chicago Press.

Kramer, Lawrence. 2010. Interpreting Music. Berkeley/Los Angeles: University of California Press.

Philip, Robert. 2004. Performing Music in the Age of Recording, New Haven and London: Yale University Press.

Reidemeister, Peter. 1988. Historische Aufführungspraxis. Eine Einführung, Darmstadt.

Rink, John. 1996. The Practice of Performance: Studies in Musical Interpretation, Cambridge: Cambridge University Press.

Rink, John. 2002. Musical Performance: A Guide to Understanding, Cambridge: Cambridge University Press.

Schoenberg, Arnold. 2006. The Musical Idea and the Logic, Technique and Art of its Presentation. Edited by Patrícia Carpenter and Severine Neff. Bloomington, ID: Indiana University, Press.

Stravinsky, Igor. (1939-40) 1993. Poetics of Music in the Form of Six Lessons, Cambridge and London: Harvard University Press.

Taruskin, Richard. 1995. Text and Act: Essays on Music and Performance. Oxford and New York: Oxford University Press.

Tröndle, Martin. 2011. Das Konzert. Neue Aufführungskonzepte für eine klassische Form, Bielefeld: transcript Verlag.



Draper, Paul and Stephen Emmerson. 2011. ‘Remixing Modernism: Re-imagining the music of Berg, Schoenberg and Bartók in our time’. Journal on the Art of Record Production, Issue 5, Conference Papers. Available at: [accessed 5 February 2015]

Jürs-Munby, Karen. 2006. ‘Introduction’ in Hans-Thies Lehman, Postdramatic Theatre, London and New York: Routledge, 1-15 and 188-199 (notes).

Lehmann, Hans-Thies. (1999) 2006. Postdramatic Theatre, Translated and with an Introduction by Karen Jürs-Munby. London and New York: Routledge.

Fischer-Lichte, Erika. 2004. Ästhetik des Performativen, Frankfurt am Main: Suhrkamp.

Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics, London: Routledge.


Music Editing

Assis, Paulo de. 2009. ‘Beyond Urtext: a dynamic conception of musical editing’, Dynamics of Constraints – Essays on Notation, Editing and Performance. Edited by Paulo De Assis. Ghent: Leuven University Press.

Feder, Georg. 1987. Musikphilologie. Eine Einführung in die musikalische Textkritik, Hermeneutik und Editionstechnik, Darmstadt.

Fellerer, Karl Gustav. 1980. ‘Werk – Edition – Interpretation’, Gedenkschrift Günter Henle. Edited by Martin Bente. München.

Grier, James. 1996. The critical editing of music – History, method and practice, Cambridge: Cambridge University Press.

Mayer Brown, Howard. 1980. ‘Editing,’ in The New Grove Dictionary of Music and Musicians. Edited by Stanley Sadie. London: Macmillan.


Philosophy and Music Philosophy

Barthes, Roland. 1991. The Responsibility of Forms. Critical Essays on Music, Art, and Representation (trans. by R. Howard), Berkeley and Los Angeles: University of California Press.

Baugh, Bruce. 2005. ‘Experimentation,’ in The Deleuze Dictionary. Edited by Adrian Parr. New York: Columbia University Press, 91-92.

Deleuze, Gilles. (1969) 1990. The Logic of Sense. Translated by Mark Lester with Charles Stivale, edited by Constantin V. Boundas, New York: Columbia University Press.

Deleuze, Gilles. (1969) 1995. Difference and repetition. Translated by Paul Patton. New York: Columbia University Press.

Deleuze, Gilles and Félix Guattari. (1972) 1983. Anti-Oedipus: Capitalism and Schizophrenia. Vol. 1. Translated by Robert Hurley, Mark Seem and Helen R. Lane. Minneapolis, MN: University of Minnesota Press.

Deleuze, Gilles and Félix Guattari. (1989) 2004. A Thousand Plateaus. Capitalism and Schizophrenia. Vol. 2. Translated and foreworded by Brian Massumi. London and New York: Continuum.

Deleuze, Gilles. (1981) 2003. Francis Bacon: The Logic of Sensation. Translated by Daniel W. Smith, Minneapolis, MN: University of Minnesota Press.

Deleuze, Gilles and Guattari, Félix. (1993) 2009. What is Philosophy?, Translated by Hugh Tomlinson and Graham Burchil. London and New York: Verso.

Foucault, Michel. 1972. The Archeology of Knowledge. Translated by A.M. Sheridan Smith. New York: Pantheon Books.

Foucault, Michel (1998). Politics, Philosophy, Culture. Interviews and other Writings 1977-1984. Edited by Lawrence D. Kritzman, London: Routledge.

Goodman, Nelson. 1969. Languages of Art: An Approach to a Theory of Symbols, Oxford: Oxford University Press.

Lacoue-Labarthe, Philippe and Jean-Luc Nancy. 1988. The Literary Absolute, Albany, NY: State University of New York Press.

Laruelle, François. (1986) 2010. Philosophies of Difference. A Critical Introduction to Non-Philosophy. Translated by Rocco Gangle. London: Continuum.

Laruelle, François. (1996) 2013. Principles of Non-Philosophy. Translated by Nicola Rubczak and Anthony Paul Smith. London: Bloomsbury.

Levinson, Jerrold. 1990. Music, Art and Metaphysics. Essays in Philosophical Aesthetics, Ithaca, NY and London: Cornell University Press.

Marcuse, Herbert. (1977) 2003. The Aesthetic Dimension. Toward a Critique of Marxist Aesthetics. Boston: Beacon Press.

Molderings, Herbert, 2010. Duchamp and the Aesthetics of Chance: Art as Experiment, New York: Columbia University Press.

Ott, Michaela. 2010. Affizierung. Zu einer ästhetische-epistemischen Figur, München: Edition text+kritik.

Polanyi, Michael. 2009. The Tacit Dimension, Chicago and London: University of Chicago Press.

Rancière, Jacques. (2000) 2004. The Politics of Aesthetics. The Distribution of the Sensible, London/New York: Continuum.

Rancière, Jacques (2004) 2009. Aesthetics and its Discontents. Translated by Steven Corcoran, Cambridge: polity Press.

Rancière, Jacques (2001) 2009. The Aesthetic Unconscious. Translated by Debra Keats and James Swenson, Cambridge: Polity.

Rancière, Jacques. 2010. Dissensus: On Politics and Aesthetics. Translated by Steven Corcoran, London/New York: Continuum.

Rancière, Jacques 2011. Aisthesis : Scènes du régime esthétique de l’art, Paris: Galilée.


Epistemology, Science and Technology Studies

Bachelard, Gaston. 2002. The Formation of the Scientific Mind, Manchester: Clinamen.

Coveney, Peter and Roger Highfield. 1995. Frontiers of Complexity: The Search for Order in a Chaotic World. London: Faber and Faber.

Dasgupta, Subrata. 1997. ‘Technology and Complexity’, Philosophica 59 (1), 113-139.

Daston, Lorraine. 2004. Things That Talk: Object Lessons from Art and Science, New York: Zone Books.

Daston, Lorraine and Peter Galison. 2007. Objectivity, New York: Zone Books.

Daston, Lorraine, ed. 2000. Biographies of Scientific Objects, Chicago: University of Chicago Press.

Fleck, Ludwig. 1979. Genesis and Development of a Scientific Fact. Translated by Fred Bradley and Thaddeus Y. Trenn. Chicago: University of Chicago Press.

Friese, Peter, Guido Boulboullé and Susanne Witzgall, eds. 2007. ‘Experimentalsysteme in Kunst und Naturwissenschaft’. In: Say it isn’t so. Naturwissenschaften im Visier der Kunst. Catalogue of the exhibition at the Weserburg/Museum für moderne Kunst, Bremen, (12 May – 16 September), Heidelberg: Keher,  67-79.

Jacob, François. 1988. The Statue Within: An Autobiography, translated by Franklin Philip, New York: Basic Books.

Knorr Cetina, Karin, 1999. Epistemic Cultures: How the Sciences make Knowledge, Cambridge, MS.: Harvard University Press.

Knorr-Cetina, Karin, Theodor R. Schatzki and Eike von Savigny, eds.  2001. The Practice Turn in Contemporary Theory. 1st ed. London: Routledge.

Knorr Cetina, Karin. 2001. ‘Objectual Practice’, in The Practice Turn in Contemporary Theory. Edited by Theodor R. Schatzki, Karin Knorr Cetina and Eike von Savigny, London: Routledge

Kováč, Ladislav. 2000. Fundamental principles of cognitive biology, ‘Evolution and Cognition 6: 51–69.

Kováč, Ladislav. 2007. Information and Knowledge in Biology, Time for Reappraisal, ‘Plant Signaling & Behavior’ 2(2): 65–73.

Kubler, George. (1962) 2008. The Shape of Time. Remarks on the History of Things, New Haven and London: Yale University Press.

Latour, Bruno and Peter Weibel, eds. 2002. ICONOCLASH: Beyond the Image Wars in Science, Religion and Art, Cambridge, MS and London: The MIT Press.

Latour, Bruno. 1992. Laboratory Life: The Construction of Scientific Facts, Princeton, New Jersey: Princeton University Press.

Rheinberger, Hans-Jörg. 1997. Toward a History of Epistemic Things. Synthesizing Proteins in the Test Tube, Stanford: Stanford University Press.

Rheinberger, Hans-Jörg. 2004. Experimental Systems. The Virtual Laboratory. Available at: [accessed 5 February 2015].

Rheinberger, Hans-Jörg. ‘Über die Kunst, das Unbekannte zu erforschen’. Available at: http: // [accessed 5 June 2011].

Rheinberger, Hans-Jörg. 2008. ‘Epistemische Dinge – Technische Dinge.’ . Lecture at Bochum Media Science Colloquium (2 July). Available at:  http: // [accessed 5 February 2015].

Shapin, Steven and Simon Schaffer. 1992. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life, Princeton, NJ: Princeton University Press.

Steiner, George (editor). 2008. Is Science nearing its Limits? – Conference convened by George Steiner, Manchester: Carcanet Press and Fundação Calouste Gulbenkian.


Mode 2 Knowledge Production

Gibbons, Michael, Camille Limoges, Helga Nowotny, Simon Schwartzman, Peter Scott and Martin Trow. 1994. The New Production of Knowledge: The Dynamics of Science and Research in Contemporary Societies. London, Thousand Oaks and New Delhi: Sage.

Knorr-Cetina, Karin, Theodore R. Schatzki, Eike von Savigny, eds. 2001. The Practice Turn in Contemporary Theory. London: Routledge.

Nowotny, Helga, Peter Scott and Michael Gibbons. 2003. ‘Introduction—”Mode 2″ Revisited: The New Production of Knowledge’, Minerva 41: 179-194.

Nowotny, Helga, Peter Scott and Michael Gibbons. 2001. Re-Thinking Science. Knowledge and the Public in an Age of Uncertainty. Cambridge: Polity Press.