Raschx is a series of mutational performances based upon two fundamental materials: Robert Schumann’s Kreisleriana op. 16 (1838), and Roland Barthes essays on the music of Schumann (1970, 1975, 1979), particularly on ‘Rasch’, a piece of writing exclusively dedicated to Schumann’s Kreisleriana. To these materials other components may be added for every single particular version: visual elements (pictures, videos), other texts, or further aural elements (recordings, live-electronics, etc.).
The main goal is to generate an intricate network of aesthetic-epistemic cross-references, through which the listener has the freedom to focus on different layers of perception: be it on the music, on the texts being projected or read, on the images, on the voices, etc. Situated beyond ‘interpretation’, ‘hermeneutics’, and ‘aesthetics’ the series Raschx is part of a wider research on what might be labelled as ‘experimental performance practices’—practices that urge us to think (during the performative moment) on what we do know, on what we do not know, and on what we think to know about a given piece.
See here the video recording and further materials of Rasch-11 (October 2014).