Publications

Peer-reviewed articles

Schwab, Michael and Paulo de Assis. 2015. ‘Nietzsche 5 : The Fragmentary’, Ruukku Studies in Artistic Research. Available at: https://www.researchcatalogue.net/view/145982/145983/0/-25

Schwab, Michael. 2015. ‘Experiment! Towards an artistic epistemology’, Journal of Visual Art Practice, DOI: 10.1080/14702029.2015.1041719. Available at: http://dx.doi.org/10.1080/14702029.2015.1041719

Assis, Paulo de. 2014. ‘Con Luigi Nono: Unfolding Waves,’ in Journal for Artistic Research, Issue 6. Available at: http://www.researchcatalogue.net/view/51263/51264 [accessed 5 February 2015].

Crispin, Darla (and Jeremy Cox). 2013. ‘Allotropes of Advocacy: A Model for Categorising Persuasiveness in Musical Performance’, in Music + Practice, [S.l.], v. 1, n. 1, mar. 2013. ISSN 1893-9562. Available at: <http://musicandpractice.org/musicandpractice/article/view/25/9>. Date accessed: 02 Sep. 2015.

Books

Assis, Paulo de (ed.). 2015. Experimental Affinities in Music. Leuven: Leuven University Press. Available in open access at OAPEN, here.

Crispin, Darla and Bob Gilmore, eds. 2014. Artistic Experimentation in Music. An Anthology. Leuven: Leuven University Press. For further details and orders, visit the LeuvenUniversity Press page.

Schwab, Michael, ed. 2013. Experimental Systems. Future Knowledge in Artistic Research. Leuven: Leuven University Press. For further details and orders, visit the Leuven University Press page.

Assis, Paulo de (ed., with Kathleen Coessens and William Brooks). 2013. Sound & Score. Essays on Sound, Score and Notation. Leuven: Leuven University Press. For further details and orders, visit the Leuven University Press page.

Chapters in books

Assis, Paulo de. 2013. ‘Epistemic Complexity and Experimental Systems in Music Performance.’ In Experimental Systems. Future Knowledge in Artistic Research. Edited by Michael Schwab. Leuven: Leuven University Press, 151-165. Reprinted in Artistic Experimentation in Music. An Anthology. Edited by Darla Crispin and Bob Gilmore. Leuven: Leuven University Press, 41-54.

Assis, Paulo de. 2013. ‘MusicExperiment21. Transformations of concepts and practices in music performance.’ In Handbook for Artistic Research Education. Edited by Mick Wilson and Schelte van Ruiten. Amsterdam: SHARE / ELIA, 100-103. Available at: https://musicexperiment21.files.wordpress.com/2014/08/assis_paulo-de_2013_share-handbook.pdfhttp:// [accessed 5 February 2015].

Assis, Paulo de. 2014. ‘Revisiting Luigi Nono’s suffered, serene waves.’ In Artistic Experimentation in Music. An Anthology. Edited by Darla Crispin and Bob Gilmore, Leuven: Leuven University Press, 203-213. Available at: https://musicexperiment21.wordpress.com/?attachment_id=916 [accessed: 5 February 2015].

Crispin, Darla and Bob Gilmore. 2014. ‘Introduction.’ In Artistic Experimentation in Music. An Anthology. Edited by Darla Crispin and Bob Gilmore. Leuven: Leuven University Press, 9-15. Available at: http://wp.me/a2Hmtu-eK [accessed: 5 Februry 2015].

Schwab, Michael. 2013. ‘Introduction.’ In Experimental Systems. Future Knowledge in Artistic Research. Edited by Michael Schwab. Leuven: Leuven University Press, 5-14.

Schwab, Michael. 2014. ‘The Exposition of Practice as Research as Experimental System.’ In Artistic Experimentation in Music. An Anthology. Edited by Darla Crispin and Bob Gilmore. Ghent and Leuven: Orpheus Institute/Leuven University Press, 31–40.

Schwab, Michael. 2014. ‘Artistic Research and Experimental Systems: The Rheinberger Questionnaire and Study-Day – A Report.’ In Artistic Experimentation in Music. An Anthology. Edited by Darla Crispin and Bob Gilmore. Ghent and Leuven: Orpheus Institute/Leuven University Press, 111–23.

Chapters in Proceedings

Assis, Paulo de. 2013. ‘Exploring multi-temporalities: An orchestration of Luigi Nono’s …..sofferte onde serene…’ In Proceedings of the International Symposium on Performance Science 2013. Edited by Aaron Williamon and Werner Goebl. Brussels: European Association of Conservatoires (AEC), 777-782.

Read more about ME21 artistic projects.